LIBERATING THE LINE : THE FOURTH DIMENSION OF ABSTRACTION
LIBERATING THE LINE: The Fourth Dimension of Abstraction Neo Spaziale, 2024 Airplac, plaster, resin, paint, photographic docum
BEVRIJDING VAN DE LIJN : DE VIERDE DIMENSIE VAN ABSTRACTIE
Curatoriële tekst — de vierde dimensie van abstractie Met Liberating the Line voltrekt zich niet alleen de ruimtelijke eman
EVOLUTION OF THE FLAT LINE : VIDEO
EVOLUTION OF THE FLAT LINE Piet Mondrian 1872 – 1944. His characteristic horizontal and vertical black lines and primary col
STOP ART NOW ! / Conceptuele onderbouwing
Conceptuele onderbouwing. Neo Spatiale Mobile 2024.3.21 – “Stop Art Now” positioneert zich binnen een hedendaagse herint
STOP ART NOW ! / Conceptual background.
Conceptual background. Neo Spatiale Mobile 2024.3.21 – “Stop Art Now” positions itself within a contemporary reinterpret
STOP ART NOW ! /Curatorial Text – Curatoriële tekst.
Curatorial Analysis: Neo Spatiale Mobile 2024.3.21. “Stop Art Now” 1. The Concept: Cynicism as Protection The work
LANGZAAM UITGEWIST / PORTRET VAN ALEKSEJ NAVALNY
De Metafoor van de Systematische Uitwissing Portret van Alexei Navalny (1976–16 februari 2024) LANGZAAM UITGEWIST is een pro
PORTRAIT OF ALEKSEJ NAVALNY
Can an almost empty piece of paper still be an important memorial? After watching the video SLOWLY WIPED OUT, yes!. You can ta
SLOWLY WIPED OUT / PORTRAIT OF ALEKSEJ NAVALNY
The Metaphor of Systematic Erasure SLOWLY WIPED OUT Portrait of Alexei Navalny (1976–February 16, 2024) SLOWLY WIPED OUT
PILLOWKISSHMM
Neo Spaziale mobilé 2024.2.28. PILLOWKISSHMM 360 graden draaibaar. Dubbel bewerkt. Uniek werk. 55x85x3 cm. Transparant synthe
PILLOWKISSHMM
Neo Spaziale mobilé 2024.2.28. PILLOWKISSHMM 360º turnable. Double edited. Unique work. 55 x 85 X 3 cm. Tranparant synthetic
PILLOWKISSHMM
Neo Spaziale mobilé 2024.2.28. PILLOWKISSHMM 360º turnable. Double edited. Unique work. 55 x 85 X 3 cm. Tranparant synthetic
枕吻
Neo Spaziale 行動版 2024 年 2 月 18 日。 360° 可旋轉。 雙重編輯。 45 x 70 x 3 公分。 透明合成材料，
قبلة الوسادة
نيو سبازيال موبايل 2024.2.18. 360 درجة قابلة للدوران. تحرير مزدوج. 45 × 70 × 3 س
PILLOWKISSS
Neo Spaziale mobilé 2024.2.18. 360º turnable. Double edited. 45 x 70 X 3 cm. Transparent synthetic material, polyester / cot
PILLOWKISSHRR
Neo Spaziale mobilé 2024.2.15. 360º turnable. Double edited. 45 x 70 X 3 cm. Tranparant synthetic material, polyester / cott
庫森庫沙爾
Neo Spaziale 移動 2024 年 2 月 15 日。 360° 可旋轉。 雙重編輯。 45 x 70 x 3 公分。 透明合成材料，聚
Embrasse-lala
Néo Spaziale mobile 2024.2.15. Rotatif à 360º. Double édition. 45x70x3 cm. Matière synthétique transparente, polyester /
وسين كوس هار
نيو سبازيالي موبايل 2024.2.15. 360 درجة قابلة للدوران. تحرير مزدوج. 45 × 70 × 3
KÜSSE KÜSSE SIE
Neo Spaziale Mobile 2024.2.15. 360° drehbar. Doppelt bearbeitet. 45 x 70 x 3 cm. Transparenter Kunststoff, Polyester / Baumwo
PILLOWKISSHERR
Néo Spaziale mobile 2024.2.15. Draaaibaar 360º. Dubbelzijdig bewerkt. 45x70x3 cm. Kunststof synthetisch transparant, polyest
KUNST SIEG KRIEG
Damit der Betrachter erneut auf Themen oder „Bilder“ blickt, die manchmal „anders“ oder „nicht schön“ sind. Wie h
GUERRE DE VICTOIRE D’ART
Faire revenir le spectateur sur des sujets ou des « images » parfois « différentes » ou « pas belles ». Comme ici une p
حرب النصر الفنية
لجعل المشاهد ينظر مرة أخرى إلى مواضيع أو “صور” تكون في بعض الأحي
戰爭勝利藝術
讓觀眾再次看到有時「不同」或「不好」的主題或「圖像」。 就像這裡被轟炸的城市的衛星照
ART VICTORY WAR
De kijker opnieuw te laten kijken naar onderwerpen of ”afbeeldingen” die soms ”anders” of ”niet
ART VICTORY WAR
To make the viewer look again at subjects or ”images” that are sometimes ”different” or ”not nic
Neo spaziale mobilé 2024.2.10. pillowkisss
45 x 60 cm plastic and polyester / cotton / latex / photographic board.
Neo spaziale mobilé 2024.2.10. pillowkisss
45 x 60 cm plastic and polyester / cotton / latex / photographic board.
Neo spaziale mobilé 2024.2.10. pillowkisss
45 x 60 cm plastic and polyester / cotton / latex / photographic board.
Neo spaziale mobilé 2024.2.7. pillowkisss
45 x 60 cm plastic and polyester / cotton / photographic board.
Neo spaziale mobilé 2024.2.7. pillowkisss
Neo spaziale mobilé 2024.2.7. pillowkisss 45 x 60 cm plastic and polyester / cotton / photographic board.
Neo spaziale mobilé 2024.2.7. pillowkisss..
45 x 60 cm plastic and polyester / cotton / photographic board.
Monsterlijke kunst
Monsterlijke kunst Neo Spaziale mobiel 2024.1.20 Gemengde technieken op 0,1 mm aluminium 74 x 45 cm x 5 cm
فن وحشي
فن وحشي نيو سبازيالي موبايل 2024.1.20 تقنيات مختلطة على الألومنيوم 0.1 ملم
可怕的藝術
可怕的藝術 移動新空間 2024.1.20 0.1 毫米鋁材的混合技術 74 x 45 厘米 x 5 厘米
MONSTRÖSE KUNST
MONSTRÖSE KUNST Neo Spaziale Mobilé 2024.1.20 Mischtechniken auf 0,1 mm Aluminium 74 x 45 cm x 5 cm
ART MONSTRUEUX
ART MONSTRUEUX Néo Spaziale mobile 2024.1.20 Techniques mixtes sur aluminium 0,1 mm 74x45cmx5cm
MONSTROUS ART
Neo Spaziale mobilé 2024.1.20 Mixed techniques on 0.1 mm aluminium 74 x 45 cm x 5 cm
NEP NIEUWS: 20.000 V.C – 21st EEUW / WAAROM EEN MEESTERWERK ?
Dit werk positioneert zich op het snijvlak van oergeschiedenis en hypermoderne mediacultuur. Het onderzoekt een fundamenteel m
FAKE NEWS: 20.000 B.C – 21st CENTURY / WHY A MASTERPIECE ?
This work is positioned at the intersection of primeval history and ultramodern media culture. It explores a fundamental human
FAKE NEWS: 21.000 BC – 21st CENTURY / NED./ ENG. ( short )
De Oorsprong van Beeldtaal: Van Grotwand tot Social Media. De vroege mens was de eerste die objecten uit zijn omgeving — voo
الملاك الملتقط
كان هناك الملاك واقفاً في الغرفة عند غسق المساء. وظهري مُدار، في نشوة
被俘虜的天使
黃昏時分，天使站在房間裡。 我背對著，出神，沉默，完全沉默，欣賞我的藝術作品。 我想“
GEFANGENER ENGEL
Da stand der Engel in der Abenddämmerung im Zimmer. Mit dem Rücken zugewandt, in Trance, still, völlig still, bewundere ich
ANGE CAPTURÉ
L’ange se tenait là dans la pièce au crépuscule du soir. Le dos tourné, en transe, silencieux, complètement silenci
GEVANGEN ENGEL
Daar stond de engel tegen de schemer van de avond in de kamer. Met de rug naar mij toe in trance, stil, doodstil mijn kunstwer
CAPTURED ANGEL
There stood the angel in the room at dusk of evening. With my back turned, in a trance, silent, completely silent, admiring my
זה תלוי ביו עזה ולבנון!
זה תלוי ביו עזה ולבנון! עם יצירת האמנות הזו בצורת עזה, אני רוצה להראות
الأمر متروك لكم يا غزة ولبنان
الأمر متروك لكم يا غزة ولبنان! من خلال هذا العمل الفني على شكل غزة، أر
IT’S UP TO YO GAZA & LEBANON !
With this artwork in the form of Gaza , I want to show that the fate and future of the people of Gaza ( and the Lebanese ) is
IT’S UP TO YOU GAZA & LEBANON !
With this artwork in the form of Gaza , I want to show that the fate and future of the people of Gaza ( and the Lebanese ) is
IT’S UP TO YOU GAZA & LEBANON !
With this artwork in the form of Gaza , I want to show that the fate and future of the people of Gaza ( and the Lebanese ) is
IT’S UP TO YOU GAZA & LEBANON !
With this artwork in the form of Gaza , I want to show that the fate and future of the people of Gaza ( and the Lebanese ) is
IT’S UP TO YOU GAZA & LEBANON !
With this artwork in the form of Gaza , I want to show that the fate and future of the people of Gaza ( and the Lebanese ) is
IT’S UP TO YOU GAZA & LEBANON !
Met dit kunstwerk in de vorm van Gaza wil ik laten zien dat het lot en de toekomst van de mensen in Gaza (en de Libanezen) in
IT’S UP TO YOU GAZA & LEBANON ! الأمر متروك لكم يا غزة ولبنان!
الأمر متروك لكم يا غزة ولبنان! With this artwork in the form of Gaza , I want to show that the fate an
探索（藝術）世界
探索（藝術）世界 就像人類消耗地球直到最終什麼都沒有一樣，這件藝術品也被消耗了。 螞蟻
(アート)ワールドを活用する
(アート)ワールドを活用する 人間が地球を消費し、最終的に何も残らないように、この芸術
CONSUMING THE ARTWORLD
Just as humans consume the earth until ultimately nothing remains, this work of art is also consumed. Ants as a metaphor for p
Neo Spaziale 2023.26.0 AUSNUTZUNG DER (KUNST-)WELT
DIE (KUNST-)WELT AUSWERTEN So wie der Mensch die Erde verzehrt, bis am Ende nichts mehr übrig bleibt, so wird auch dieses Kun
EXPLOITER LE MONDE (ART)
EXPLOITER LE MONDE (ART) Tout comme les humains consomment la terre jusqu’à ce qu’il ne reste plus rien, cette œuvre d
(アート)ワールドを活用する
(アート)ワールドを活用する 人間が地球を消費し、最終的に何も残らないように、この芸術作
探索（藝術）世界
探索（藝術）世界 就像人類消耗地球直到最終什麼都沒有一樣，這件藝術品也被消耗了。 螞蟻
UITBUITING VAN DE (KUNST)WERELD
UITBUITING VAN DE (KUNST)WERELD Net zoals mensen de aarde consumeren totdat er uiteindelijk niets meer overblijft, wordt ook d
EXPLOITING THE (ART)WORLD
EXPLOITING THE (ART)WORLD Just as humans consume the earth until ultimately nothing remains, this work of art is also consumed
RELIGION LIGNE
RELIGION LIGNE Rasé pour l’amour, la paix et la compréhension entre toutes les religions. Aluminium / fourrure artific
宗教系列服飾 / 雕像
宗教系列服飾/雕像 為了所有宗教之間的愛、和平與理解而剃頭。 鋁/人造毛皮。 72 x 29 厘米 新
RELIGION LINE
RELIGION LINE Shaved for love, peace & understanding between all religions. Aluminum / artificial fur. DRESS / STATUE. 72
HUECOS NEGROS EN PAREDES BLANCAS
HUECOS NEGROS EN PAREDES BLANCAS Un monumental tributo póstumo al abandono de los artistas afroamericanos, la relación hist
SCHWARZE LÜCKEN AUF WEISSEN WÄNDEN
SCHWARZE LÜCKEN AUF WEISSEN WÄNDEN Eine monumentale posthume Hommage an die Vernachlässigung afroamerikanischer Künstler,
LACUNES NOIRES SUR MURS BLANCS
LACUNES NOIRES SUR MURS BLANCS Un hommage posthume monumental à la négligence des artistes afro-américains, aux relations h
白牆上的黑縫是
白牆上的黑色縫隙 這是對非裔美國藝術家的忽視、黑人藝術家不平等的歷史關係以及更廣泛的
ZWARTE HIATEN OP WITTE MUREN
ZWARTE HIATEN OP WITTE MUREN Een monumentaal postuum eerbetoon aan verwaarlozing van Afro-Amerikaanse kunstenaars, ongelijke h
BLACK GAPS ON WHITE WALLS
BLACK GAPS ON WHITE WALLS A monumental posthumous tribute to neglect of African-American artists, unequal historical relations
КРЕМЛЬ, ТАЙНАЯ ГЕЙ-ТОЧКА
Вопрос, который ставит это произведение искусства, заключается в том
KREMLIN’S SECRET GAY HOT SPOT
The question this artwork poses is whether Putin’s henchmen and admirers come to this meeting place near the Kremlin bec
KREMLIN’S GEHEIME HOMO ONTMOETINGSPLEK
De vraag die dit kunstwerk oproept is of Poetins handlangers en bewonderaars vanwege hun aanbidding voor hem naar deze ontmoet
HERINNER MAHSA AMINI ( † 16 september 2022 ).
HERINNER MAHSHA AMINI (- 20 september 2000 – 16 september 2022 ). Gebroken schoonheid. In haar handen draagt ze de
تذكر ماشا أميني ( 16.9.2022 – 20.9.2000 )
تذكر ماهشا أميني ( 16.9.2022 – 20.9.2000 ) جمال مكسور. وتحمل في يديها العلم ال
REMEMBER MASHA AMINI ( † 16.9. 2022 )
REMEMBER MAHSHA AMINI ( 20.9. 2000 – 16.9. 2022 ). Broken beauty. In her hands she carries the blood-stained Iranian fla
NEO SPAZIALE MOBILÉ 2023.8.14 HOMMAGE TO THE ELLIPSE
Neo Spaziale mobilé 2023.8.14 HOMMAGE TO THE ELLIPSE. The base are three ovals / elipse. Consciously ovals, ellipses form bec
NEO SPAZIALE MOBILÉ 2023.8.14 HOMMAGE TO THE ELLIPSE
Neo Spaziale mobilé 2023.8.14 HOMMAGE TO THE ELLIPSE. The base are three ovals / elipse. Consciously ovals, ellipses form bec
NEO SPAZIALE MOBILÉ 2023.8.14 HOMMAGE TO THE ELLIPSE
Neo Spaziale mobilé 2023.8.14 HOMMAGE TO THE ELLIPSE. The base are three ovals / elipse. Consciously ovals, ellipses form bec
NEO SPAZIALE MOBILÉ 2023.8.14 HOMMAGE TO THE ELLIPSE
Neo Spaziale mobilé 2023.8.14 HOMMAGE TO THE ELLIPSE. The base are three ovals / elipse. Consciously ovals, ellipses form bec
HOMMAGE TO THE ELLIPSE
The base are three ovals / elipse. Consciously ovals, ellipses form because they have never been used by the “cubists
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New video + audio + tekst wil follow
VOETBAL REGEERT DE WERELD
* Annuit coeptis **Novus ordo seclorum * Begunstigd zijn onze bedrijven ** Nieuwe orde van de tijd. Voetbal wordt vaak geprese
SOCCER RULES THE WORLD كرة القدم تحكم العالم
Annuit Coeptis – Novus Ordo Seclorum “مُباركةٌ مشاريعنا – نظامٌ جديدٌ للعصر.”
SOCCER RULES THE WORLD
Annuit Coeptis – Novus Ordo Seclorum “Favored are our enterprises – a new order of the times.” Football is oft
KAWS ”Out of Space” Clean up Earth’s Mess by Human Race
KAWS ”Out of Space” Clean up Earth’s Mess by Human Race” At once X-)) Neo Spaziale mobilé 2022.11.4 &
KAWS ”Out of Space” Clean up Earth’s Mess by Human Race”
‘ Neo Spaziale mobilé 2022.11.4 ”KAWS ”Out of Space” At once X-)) 360 ° turnable, do
KAWS ”Out of Space” Clean up Earth’s Mess by Human Race”
KAWS ”Out of Space” Clean up Earth’s Mess by Human Race” At once X-)) Neo Spaziale mobilé 2022.11.4 &
WHEN YOU LOOK AT ME I WILL TOUCH YOUR SOUL
(Observers reflection by your image in this artwork ) ”If you are in me, I am also in you, together we are one. You
WHEN YOU LOOK AT ME I WILL TOUCH YOUR SOUL
”When you look at me, i will touch your soul” (Observers reflection by your image in this artwork ) R
WHEN YOU LOOK AT ME I WILL TOUCH YOUR SOUL
WHEN YOU LOOK AT ME I WILL TOUCH YOUR SOUL (Observers reflection by your image in this artwork ) ”If you are in me, I
THE STALLION MYTHE. Conceptuele beschrijving
THE STALLION MYTHE is een provocerende ontleding van de koloniale blik en de hardnekkigheid van raciale seksualisering. Het we
THE STALLION MYTHE ( Audio tekst)
The Stallion Myth is a provocative dissection of the colonial gaze and the persistent of racial sexualization. The work questi
THE STALLION MYTH. Conceptual Description
THE STALLION MYTH is a provocative dissection of the colonial gaze and the persistence of racial sexualization. The wor